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Follow the links below to find material targeted to the unit's elements, performance criteria, required skills and knowledge

Elements and Performance Criteria

  1. Clarify project requirements
  2. Prepare to edit dialogue
  3. Clean up dialogue
  4. Complete work operations
  5. Evaluate work

Required Skills

Required skills

communication literacy and teamwork skills sufficient to

work cooperatively with production personnel

provide critical feedback on problems with technical quality of masters and condition of equipment

read and interpret an edit decision list EDL

log and label dialogue and sound files and versions of edited material including masters and copies

numeracy skills sufficient to

calculate duration and capacity of recording media at various speedsample rates

identify and interpret synchronisation time codes

initiative and enterprise in the context of

applying extreme attention to detail to ensure that dialogue and sound edits meet creative and technical requirements

applying criticallistening skills to assess the quality of dialogue tracks for ADR

ADR recording eg spotting sync and understanding how to manipulate it

learning skills sufficient to maintain currency of knowledgeof editing equipment upgrades

planning and organisational skills sufficient to prioritise work tasks and meet deadlines

problemsolving skills sufficient to promptly and effectively rectify system failures and mechanical breakdowns

technology skills sufficient to

use a variety of soundediting equipment and software on both PC and MAC operating systems

manage file systems

make regular backups

make suitable track layouts

Required knowledge

understanding of how sound is used in screen productions for example to

focus attention

intensify action

set pace and mood

evoke feelings

understanding of how sound is locked to picture

industry knowledge including

features of a range of soundediting equipment and facilities

roles and responsibilities of postproduction personnel including welldeveloped understanding of documentation and files that editors typically provide

filmic language and other relevant terminology

soundediting conventions used in film and video production

issues and challenges that typically arise in the context of editing dialogue

picture and sound synchronisation including

time codes

frame rates

sample rates

clock leader pips

principles and techniques of dialogue and sound editing including

splitting and laying sound and dialogue tracks to ensure consistency

different dialogue and soundediting methods

function of metadata tags such as

album

artist

defaults

description

episode

resolution

track

version

OHS principles of

safe listening including safeguards against hearing loss

observing regulations with regard to working for periods of time at computers

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

split and edit dialogue and sound for a film or television production

review the technical quality of edited material so that it conforms to industry standards

use a range of industrycurrent soundediting equipment and accessories

work cooperatively in a team environment

meet deadlines

Context of and specific resources for assessment

Assessment must ensure

access to current industrystandard equipment as listed in the range statement

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

observation of candidate undertaking dialogue and soundediting work

direct questioning combined with review of portfolios of evidence and thirdparty workplace reports of onthejob performance by candidate

authenticated recordings of dialogue and sound edited by the candidate

case studies and scenarios as a basis for discussing issues related to editing dialogue and sound

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUSSOUA Perform advanced sound editing

CUSSOU403A Perform advanced sound editing.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Dialogue and sound may include:

original dialogue and sound

replacement of original dialogue and sound

fill track

wild track

library atmosphere/sound

sync FX

post-sync dialogue

additional dialogue:

re-recorded

narration

additional sounds:

voice-over

walla

loop group

crowds

music.

Production requirements may include:

creative

technical

artistic

attributions

audience

budget

confidentiality

content

contractual arrangements

copyright

deadlines

direct quotes

duration

intellectual property

interviews

location

purpose

schedule

style.

Relevant personnel may include:

performer

sound supervisor

supervising sound editor

effects editor

effects mixer

sound mixer

recordist

re-recording mixer

audio assistant

audio and sound engineer

director

producer

post-production picture editor

program manager

sound designer.

Technical adjustments may include:

cleaning up:

removing bumps and clunks

extending background noises

filling holes

finding alternative takes

fixing sync

laying additional background atmospheres

post-syncing dialogue.

Productions may include:

feature films

documentaries

games

animated productions

short films

commercials

filmed events or performances

music videos

television productions of any type.

Equipment may include:

digital audio workstation (DAW) with software, such as:

Pro Tools

Nuendo

Pyramix

Fairlight

EDL software

mixing consoles

outboard gear, such as:

re-verb unit

sub-base harmoniser

de-esser

compressor.

File systems may be established for:

dialogue

sound effects

music

sections of the production

final master.

Work copies may include:

post-production masters

digital replications.

OHS procedures may include:

ergonomic factors:

physical manoeuvres

safe handling techniques

lighting conditions

emergency procedures

safe working conditions.

Documentation may be:

computer-generated

manually written

timecode log sheets for location sound recordings

wild line and sound effects log sheets

scripts

ADR or post-sync sheets

sound reports

shot lists

sound library lists

edit decision lists (EDLs)

editing schedules

continuity scripts

manufacturer schedules

manufacturer specifications and instructions

contracts

memos of instruction

budgets

fault reports

marked-up scripts

marked-up transcripts.

Sync FX may include:

doors opening and closing

footsteps

clothing rustling

cars

baby cries

domestic sounds

other natural sounds

walla.

Format may include:

AIF (AIFF)

WAV

broadcast WAV format (BWF)

WMA

MIDI

OGG

advanced audio coding (AAC)

Apple Lossless

Real Audio

QuickTime

MP3.

Work environment may include:

mixing theatre

dubbing theatre

on location, including interior and exterior

ADR recording studio

edit room

production office.

Technical quality may include:

sound clarity

audio level

audio balance

smoothness of sound

equalisation

gating/noise reduction

drop-outs in tracks

overlap of sounds

pitch

flaming

phasing.